Under the portico. I’ve used DxO PureRAW 4. Normally I do this only for images that need DxO’s fabulous noise reduction. Here, the reason was, that DxO uses better distortion correction, and normally gives a slightly wider image. In Adobe’s rendition, the corner of the stone slab in the foreground is slightly cut off by the edge of the frame. In the DxO version, it is a perfect fit.